Wednesday, May 14, 2014



Blue October concert review
The Phoenix Concert Theatre
Toronto, ON
May 13th, 2014

Brilliant words are needed but escape me. I feel the need to be eloquent and intelligent when describing the energy and poetry that is Blue October. The shining beacon and troubled soul that is the heart of the band is frontman Justin Furstenfeld. That speaks to the duality that is the man. Well aware of his downfalls, using his past addictions, failures and mental health as inspiration, or just perhaps an avenue to purge himself and use music as a catharsis, he writes all the lyrics and sometimes co-writes the music. Many songwriters say, “Write what you know” and he definitely does just that.

Perhaps you've seen videos of their more well-known songs like 'Hate Me' or 'Into The Ocean'. They are dramatic, spellbinding...they draw you in until you're mesmerized. Last night, on a basic stage with some mood lighting, stripped of all the video production, they still managed to evoke that same feeling of being mesmerized. Awestruck, mouth agape, dancing to the infectious rhythms you get so caught up in the story unfolding before your eyes you forget about getting the perfect photo or keeping track of the set list. For the first time ever, I didn't write anything down. I was so caught up in the experience it didn't seem important to write down every song title. And you know that feeling you get when someone is singing their guts out on stage and they come over and look you in the eyes...repeatedly...and when it keeps happening you somehow feel special without really knowing why...ya, that feeling.

How can one man be so charismatic, so brilliant yet so humble and fallible? It's really difficult to convey in words what it's like to see Blue October in concert. It's almost like a religious experience without the religion and their music defies being pigeon-holed into one particular genre as it is such an eclectic mix of sounds.

After doing some research on the band, they actually were formed back in 1995 in Houston, Texas and have since come out with 7 albums, the latest of which they're now touring with 'Sway'.The content and progression of each album is most definitely autobiographical. Some of the tracks on the new album that deserve mention are 'Bleed Out', 'Angels In Everything' and the title track 'Sway'.

Like most bands they've had some line-up changes over the years but currently consist of Justin Furstenfeld (lead vocals, guitar), Jeremy Furstenfeld (drums, percussion), Ryan Delahoussaye (violin/viola, mandolin, piano, backing vocals), C.B. Hudson (lead guitar, backing vocals), and Matt Noveskey (bass guitar, backing vocals).

Opening for Blue October was Matthew Mayfield from Birmingham, Alabama. There's something to be said for someone who can hold an audience with just a man and a guitar. He did some interesting covers of Springsteen and Nirvana, as well as some original material.

Next up was a band called Zeale from Austin, Texas. I'm usually not much of a fan of rap but their mixture of hip-hop, intelligent wordplay and infectious dance beats made it impossible not to love them. It doesn't hurt when you can work the name of the city you're playing into your rhymes.


Then of course the mind-blowing headliner Blue October at their only Canadian stop for they're 'Sway' tour. No one even knew they were violently ill until they came back for their encore. Had they not told us, we wouldn't have known. Now that's the epitome of the motto “The show must go on”.

Here's an added clip of an interview with Justin at the beginning of the 'Sway' tour: 'Blue October setlist lays out like a documentary'

Monday, March 10, 2014

Billy Joel concert review - Air Canada Centre, Toronto - March 9, 2014



Billy Joel – the lyrical lyricist, the poetic purveyor of portraiture prose. His music is classic, timeless. His voice is ageless and his humour is priceless. With just the right amount of sweet and salty, his show manages to be flashy and yet still self-deprecating and down-to-earth. He can go from a rock n' rollin', rip roaring ruckus and then reduce you to a tearful, sappy pile of mush. He brings you in and makes you feel part of a personal yet shared experience. He made references to local musicians such as Gordon Lightfoot, Joni Mitchell and The Band as well as well-known local venues where he had played in the past, all of which makes for an inclusive, relatable experience.

His two-hour long concert showed no signs of him slowing down. He jokes about his age – that he's turned into his father, that he's the age at which most people retire. He can say whatever the hell he wants to say about that but why do reviewers feel the need to focus on Billy Joel's age or appearance is just beyond me. Who cares about that? Let's focus on his amazing talent and accomplishments instead, shall we?

In 1965, at the age of 16 he was already in his first recording band. He released his first solo album in 1971 at the age of 22. He started touring in 1972.

Since releasing his first hit song, "Piano Man," in 1973 (over 40 years ago), Billy Joel has become the sixth best selling recording artist and the third-best-selling solo artist in the United States.

He's had Top 40 hits in the 1970s, 1980s, and 1990s, achieving 33 Top 40 hits in the United States, all of which he wrote himself. He is also a six-time Grammy award winner who has been nominated for 23 Grammy Awards throughout his career. He has sold over 150 million records worldwide.

Billy Joel was inducted into the Songwriters Hall Of Fame (1992), the Rock and Roll Hall of Fame (1999), and the Long Island Music Hall of Fame (2006). In 2001, Joel received the Johnny Mercer Award from the Songwriters Hall of Fame. In 2013, Joel received the Kennedy Center Honors, the nation's highest honor, for influencing American culture through the arts. 

His album releases span from 1971 to 2001:
Cold Spring Harbor (1971)
Piano Man (1973)
Streetlife Serenade (1974)
Turnstiles (1976)
The Stranger (1977)
52nd Street (1978)
Glass Houses (1980)
The Nylon Curtain (1982)
An Innocent Man (1983)
The Bridge (1986)
Storm Front (1989)
River of Dreams (1993)
Fantasies & Delusions (2001)

On December 31, 1999, Joel performed at New York's Madison Square Garden. At the time, Joel said that it would be his last tour and possibly his last concert. He did perform at benefit concerts in 2001. Then on January 7, 2006, Joel began a tour across the United States. Having not written, or at least released, any new songs in 13 years, he featured a sampling of songs from throughout his career. His tour included an unprecedented 12 sold-out concerts over several months at Madison Square Garden in New York City. The singer's stint of 12 shows at Madison Square Garden broke a previous record set by New Jersey native Bruce Springsteen, who played 10 sold-out shows at the same arena. As well, new dates are still being added.

Last night's setlist:
  1. Miami 2017 (Seen The Lights Go Out On Broadway)
  2. Pressure
  3. The Entertainer
  4. Vienna
  5. Up On Cripple Creek (The Band partial cover)
  6. Zanzibar
  7. And So It Goes
  8. Allentown
  9. The Downeaster “Alexa”
  10. New York State of Mind
  11. Sometimes A Fantasy
  12. Movin' Out (Anthony's Song)
  13. She's Always A Woman
  14. Don't Ask Me Why
  15. Keeping The Faith
  16. In The Middle Of The Night
  17. A Hard Day's Night (The Beatles partial cover)
  18. Scenes From An Italian Restaurant
  19. Piano Man
Encore:
   20.  We Didn't Start The Fire
   21.  Uptown Girl
   22.  Still Rock and Roll To Me
   23.  You May Be Right
   24.  Only The Good Die Young

Opening for Billy Joel was Jon McLaughlin, a spectacular pianist is in own right. He and his band of 10 years, originating from Indiana, did a 40 minute 8-song set including a rollicking audience participation song called “Why I'm Talking To You”. Dude can wail away on the ivories too. Check them out if you get the chance.


Sunday, March 02, 2014

Kings of Leon, Gary Clark Jr. Concert - Air Canada Centre, Toronto – Feb. 26, 2014



The Kings of Leon, the multi-grammy winning Followill family foursome consisting of 3 brothers and 1 cousin, have a sound that is a mixture of Southern rock, blues and alternative/arena rock.

After a solid decade of album releases and touring, the band took a well-needed hiatus from touring for almost two years but only actually took a few months off before working on their 6th album “Mechanical Bull”. While they took that time to recuperate physically, it also gave them the opportunity to get back to their roots musically and not just put out an album for the sake of putting out an album.

Now they're back with a vengeance with an astounding 24-song setlist with a 3-song encore performing for a solid 2 hours. For the diehard fans that know all the Kings of Leon songs they were loving every minute of it but for the uninitiated it was perhaps a bit long-winded. Although the band members seemed to be off doing their own thing and not really interacting, musically it was on point and still enjoyable, especially if you're a fan of Caleb's voice as lead singer. You wouldn't even know he'd had a cold for several days if he hadn't mentioned it although halfway through, his speaking voice was pretty raspy.

Visually stunning, the show went from opening with an interesting use of a gauze curtain to background videos depicting everything from old-tyme burlesque dancers, a muscle car doing doughnuts, suggestive and almost anatomical imagery to beautifully colourful flowers opening. All this mixed with artistic live cam shots of each member and a laser/light show to rival any heavy rock band. It's definitely like nothing I've seen before.

SETLIST:
Charmer
Rock City
My Party
Temple
Notion *
On Call
Family Tree
Closer
The Immortals
Back Down South
Wait For Me
Supersoaker
Milk
Pyro
Tonight
Don't Matter
Radioactive
The Bucket
Molly's Chambers
Four Kicks
Be Somebody
Cold Desert
Use Somebody *
Trani

ENCORE:
Crawl
Black Thumbnail
Sex On Fire *

(songs used in movies) *

If you particularly like epic guitar solos, mixed in with some awesome vocals, then you'll love Gary Clark Jr. Described as a guitar virtuoso, he began playing guitar at the ripe old age of 12. A few short years later at the age of 17, the Mayor of Austin, TX proclaimed May 3rd, 2001 as Gary Clark Jr. Day. At the age of 20 his first album was released in 2004 but it wasn't until 2012 when his album "Blak and Blu" was released that people around the world started to hear more about him and his music. Also in 2012 he won an award for performing in more major North American Music Festivals than any other musician on the planet. He has won a multitude of Austin Music Awards, was nominated for a Grammy Award for Best Rock Song “Ain't Messin' Round” in 2013, and won the Grammy for Best Traditional R&B performance in 2014 for his song “Please Come Home”. His songs have been used in movies, TV shows and even video games. *

His recent show in Toronto, opening for Kings of Leon, was a visually subdued, unflashy 45-minute set backed by three musicians and was just about pure music. No fancy backdrop or lightshow, just gritty music that took elements from different eras, mixed with genres like blues, soul, R&B, doowop, rockabilly and bluegrass but all of it with a modern twist. Some of his 7 song set included:

Ain't Messin' Round
Nextdoor Neighbor Blues
Please Come Home *
Don't Owe You A Thang *
Bright Lights *







Sunday, November 24, 2013



Concert Review: Bernhoft

How do you describe the indescribable? How do you put into words something you need to see with your own eyes, hear with your own ears, to truly understand the experience? One-man band conjures up images that don't do him justice, like a cheesy vaudeville sideshow act comes to mind, which does not befit him at all.

This Norwegian singer, recently residing in New York, came out with his first solo album in 2008 after releasing albums with several bands going back to 1996 (he would have been only 19 or 20 years old at that time). Classically trained, exceptionally talented, he defies being only one specific genre. His music is a mixture of soul, R&B, blues, jazz, a hint of pop all rolled up into one very funny, sometimes heartwarming or heartbreaking, dance your ass off, multi-talented dude with an edgy, rich, soaring voice (some might describe it as “panty melting”).

With 2 guitars, 1 keyboard, 2 mics, and a looping apparatus, this one man combines layers of music by doing all the harmonizing vocals, using the back of a guitar for a drum beat, some beat boxing or other sound effects, adding the guitar or keyboard, putting it all together to make it sound like a full band. It really is astounding and must be experienced to be believed. I'm very picky about the music I like but out of 5 stars I'd give him 12 because he's just that good.

If you only get one of his albums, I would recommend his live album from 2010 called 1: Man 2: Band. It's a double CD set, the first one is solo, the second one with a band (hence the name of the album). However, after speaking to him following last night's concert, he has a new album coming out in the Spring of 2014.

I also asked him, prior to this year, if he'd ever been to Toronto before. He jokingly said he may have been here for a wedding. I surmised he meant as a guest, not as a wedding singer. In reality he had never been here to do concerts and yet he's done three in Toronto this year alone:

NXNE Festival March/13 at the Drake Hotel
The Virgin Mobile Mod Club June/13
The El Mocambo Nov/13

Hopefully with his new album coming out in the Spring, he'll have the opportunity to “Come Around” again soon. I was too busy having so much fun to keep track and I couldn't even tell you the order of his setlist or if it's complete:

Ever Since I Was A Little Kid
Fly Away
Streetlights
So Many Faces
Choices
C'mon Talk
Stay With Me
Wind You Up
Sunday
On Time
Come Around
Space In My Heart
Shout (Tears For Fears cover)
A Bad Place To Reside

Check him out on his website at bernhoft.org and on YouTube.




Sunday, November 10, 2013




Concert review: David Ryan Harris and Hanson

The concert took place at the historic Danforth Music Hall which was opened in 1919 in the city of Toronto. The 1,500 capacity crowd was lined up down a city block and around the corner for the sold out show. The first floor of the venue manages somehow to have either full seating or just a wide open concrete floor depending on the concert. Last night it was standing room only. I was lucky enough to get upgraded by Live Nation so I could have a floor view. I chose to stay there for the opening act, David Ryan Harris, the man I really came to see. Not that I'm averse to Hanson but the boy band era was not really part of my generation.

Not only is David Ryan Harris an amazing singer-songwriter-musician-producer but just seems like a genuinely down to earth “real” human being. Just a man and his guitar had the audience mesmerized with his beautiful voice, compelling and humorous storytelling and his ability to take familiar songs, mash them together in a medley, altering the lyrics to fit his story. It was funny, funky, bluesy, soulful and a heartwarming shared experience with just the right amount of audience participation. He even downplayed the “showy stuff” after he played his guitar behind his head, bringing the music back down to being real and honest. One point in particular struck me as he was speaking to the girls in the audience about worrying so much about their physical appearance before he played his song 'Pretty Girl'. To paraphrase his message: Be yourself, love yourself just the way you are, others love you just the way you are too, the little insignificant things you spend so much time worrying about are not important, especially to guys, and you are amazing anyway just for being girls. Just an indication of what this man is all about, keeping it real.

At intermission, as promised, David made himself available to sign his CD's after his set. I'm not one for autographs as that is not important to me but it did offer an opportunity to have a bit of a chat with him. I even said as such to him, that I really just wanted to say Hi and ask how the Canadian leg of the tour was going so far. When I told him my name and mentioned our little twitter chat he said he recognized me from my avatar. Not important but he was just a lovely man and it's nice to be acknowledged in some way. I wished him well on the rest of his journey through Canada and would have loved to talk more about it but others were waiting for his autograph. I decided to enjoy the comfort of my seat in the second floor balcony for the second half of the concert.

There is no doubt that the Hanson brothers are also exceptionally talented singers and musicians. The crowd sang every word to most of the songs. They really mixed up the set with quiet songs, high energy dance songs, an a capella version of a Bee Gees song that really showcased their voices and each Hanson brother individually did one song alone on stage. There were times during their set where there was too much of a lull, perhaps too many quiet not so well known songs where even the diehard Hanson fans went back to their conversations about other things and checking their phones. That may just be a normal generational thing but it did drag a bit too much in spots. As I am not well-versed in Hanson's music beyond when MmmBop was popular perhaps it's not for me to say but maybe they might want to rethink their setlist as there were too many quiet songs in a row. Don't get me wrong, I still danced my ass off until I was a sweaty mess for the more energetic songs, even if I didn't know them because that's how I roll, just like I did for David Ryan Harris' set.

On a side note: As we were shuffling out of the balcony seats I was astonished at the amount of garbage left on the first floor below. People, pick up your shit and put it in the garbage/recycling bins. Other than that, it was a fun-filled exuberant evening making more musical memories.



Saturday, October 12, 2013



Gavin DeGraw – Make A Move album review

At first blush this album seems to have heavier production, that it's more masculine and gritty. Yet upon listening to it more it still has beautiful, softer elements like some of his previous songs. Perhaps not quite as artsy and feminine, there isn't that one usual bawl-your-eyes-out, I-wish-I-had-someone-that-loved-me-like-that song that he has had on each of his previous albums, it still evokes a range of emotions. It's a more mature, less overly romantic, realistic approach to songs like that.

There are times when the production overpowers making it hard to decipher the words. Some of it seems unnecessary but by the same token it pulls you in, completely envelops you and you can't just listen to it casually like background noise. Still, sometimes less is more.

Despite what some are saying, it's not such a departure from his earlier work but rather a progression. Better to progress than to stagnate and always sound the same on every song you put out. This album is very much old Gavin but still fresh and current. People that dislike it are forgetting previous songs like Chemical Party, I Don't Want To Be, In Love With A Girl, Cop Stop, Medicate The Kids, Relative, Sweeter, Radiation...all of which are edgier, rocking songs so this album is not so different that it should be dismissed as being too hard or selling out. Still I was hoping that there would be a stripped down bonus track but I haven't heard any mention of it from those that already have it in other countries.

My most favourite things about music are lyrics and vocals. I love words that paint a picture, that tell a story yet are still vague enough that they allow you to see it your way and are so open to interpretation. Gavin just knows how to be descriptive in such a way that it's not completely about his experience, his interpretation but how it affects you on a personal level and for you to use your own imagination. Vocally he is just spectacular in his range and ability to change it up, particularly on songs with a slower beat where he can really play with it. Vocals can sometimes make or break a song for me. He has managed, once again, to come out with an album where there isn't one song I don't like or that I would skip over although it's funny how the live versions speak to me even more so.

Originally I was going to pick apart each song but that would be giving you my own interpretation rather than leaving that up to you. Besides there's so much going on, so many elements from different genres touched upon as if he said, “I'll take a piece of that and put it here. Maybe a dash of this and a sprinkle of that”. I recall his saying something about ingredients...quote from Billboard interview, “I feel like the refrigerator has some nice ingredients in it and I just wanna make the right meal”. He's managed to come up with a great mixture of music for whatever you might feel like feasting upon. Each song has it's own unique flavour yet works together without any one song being so far out there that they don't blend well with the others.

Best I Ever Had
Make A Move
Finest Hour
I'm Gonna Try
Who's Gonna Save Us
Everything Will Change
Need
Heartbreak
Every Little Bit
Different For Girls

Leading Man



Friday, October 04, 2013

Gavin DeGraw – 'Who's Gonna Save Us' (unofficial lyrics)

I know you got a wild side that I don't wanna hold back
And everyone I ever had was just a means to an end
Now we're standing at the edge, we've never been here before
So are we gonna give in, what happens if we fall?

Chorus:
Who's gonna save, who's gonna save us tonight, tonight
Who's gonna save, who's gonna save us tonight, tonight
We've been way too cool for this but it's just too strong to fight
So tell me who's gonna save, who's gonna save us tonight

Politics and presidents, it's like they're building a wall
I got my own line of defence somehow you broke through it all
At the bottom of an empty bottle is where the truth starts to spill
Don't wanna wake up with regret from this feeling we can't kill

Chorus:

Bridge:
See and believe you're making me breathe deeper than the ocean
Beside us who can we call, we're risking what we have for something more, don't wanna lose it all

Who's gonna save, who's gonna save us tonight, tonight
Who's gonna save, who's gonna save us tonight, tonight
We've been way too cool for this but this word's too strong to fight
Should we stop, should we wait before it's too late
Should we stop, should we wait before it's too late

Tell me who's gonna save, who's gonna save us tonight